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The Collation

The Collation

Research and Exploration at the Folger

The Collation is a gathering of useful information and observations from Folger staff and researchers. Read more about this blog

Miracles lately vvrovght: the use of “vv” for “w” in 17th-century titles
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Miracles lately vvrovght: the use of “vv” for “w” in 17th-century titles

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Author
Goran Proot

In earlier posts I surveyed the use of “v” for “u” in titles and imprints of books printed in the Southern Netherlands. In both cases, this habit clearly faded out in the course of the seventeenth century. These findings, in…

10mo!
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10mo!

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Sarah Werner

Sometimes books surprise us, and not always for the reasons we expect. Is there something unusual about the book below? Is is maybe a bit more narrowly oblong than usual? an oddly shaped book Two years ago, I took Rare…

Something wiki this way comes, or, Welcome to Folgerpedia!
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Something wiki this way comes, or, Welcome to Folgerpedia!

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Author
The Collation

For the past seven months, a small team of dedicated colleagues here at the Folger have been working very hard to bring you a new online, interactive tool that we hope will inspire collaboration and serve the Folger community. With…

Interiority and Jane Porter’s pocket diary
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Interiority and Jane Porter’s pocket diary

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Julie Park

A guest post by Julie Park It’s been a critical commonplace after Ian Watt’s The Rise of the Novel to view the novel as the first literary form to represent psychological individuality in the context of everyday life. My research,…

Print or manuscript? Civilité type in early modern England
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Print or manuscript? Civilité type in early modern England

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Heather Wolfe

Have you ever received a fundraising letter in the mail that looks handwritten, or has a “handwritten” postscript or post-it note? This is an attempt, of course, to make the letter feel more personal. The recipient of the request is supposed to be…

So how do you find symbols in signature marks?
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So how do you find symbols in signature marks?

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Erin Blake Sarah Werner

Sarah: In my last post, I showed some examples of books that use symbols in signature marks. But how did I find these books and how might you find more examples? It’s one thing to search for books printed in…

The symbols of signature marks
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The symbols of signature marks

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Sarah Werner

I’ve written before about what sort of information we can learn from studying signature marks, and Goran wrote recently about the use of Latin abbreviations to indicate the gathering. So I thought the time has come to look at some of the…

Identifying a leather bookplate
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Identifying a leather bookplate

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Sarah Werner

As became clear in the robust conversation around this month’s crocodile mystery, what we’re looking at is a leather bookplate—a circular, good-tooled leather bookplate stamped with the initials “E. H.” and a rose. While the object itself might have been…

"What manner o' thing is your crocodile?": July 2014
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"What manner o' thing is your crocodile?": July 2014

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Author
The Collation

Just in time for the holiday weekend, a new crocodile mystery! your July mystery   This month’s crocodile mystery will be, for many of you, obvious as a category of object. So there’s an extra challenge: what else can you…

William Dethick and the Shakespeare Grants of Arms
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William Dethick and the Shakespeare Grants of Arms

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Nigel Ramsay

A guest post by Nigel Ramsay For many visitors to the Folger’s Heraldry exhibit, “Symbols of Honor,” the stars will be the three original draft grants on paper of Shakespeare’s coats of arms. These belong to the English heralds’ long-established…

An argent lion rampant: coats of arms in 17th-c. books
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An argent lion rampant: coats of arms in 17th-c. books

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Author
Goran Proot

In recent months, the Folger Shakespeare Library added a rare emblem book to its holdings, a thin quarto bound in pasteboards holding 24 unnumbered leaves . The emblem book presents itself as a “new year’s gift” containing 13 engravings: one coat…

Let's make a model!
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Let's make a model!

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Heather Wolfe Jana Dambrogio

Co-written by Heather Wolfe and Jana Dambrogio In 2010, Jana Dambrogio and I were thinking independently about slits and stabs in early modern letters. Jana, after having had made many models of the letters of Tomaso di Livieri from the…

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