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The Collation

The Collation

Research and Exploration at the Folger

The Collation is a gathering of useful information and observations from Folger staff and researchers. Read more about this blog

A Wild and Woolley Week
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A Wild and Woolley Week

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Before 'Farm to Table' team

A guest post by the Before ‘Farm to Table’ team This week the Before ‘Farm to Table’: Early Modern Foodways and Cultures team turned their collective attention to Hannah Woolley (or Wolley), a British woman writer who was among the…

Snakes! on a ... book?
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Snakes! on a ... book?

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Abbie Weinberg

“What is that?” someone asks, pointing to the corner of one of the books open for display. “This? Oh, it’s a book snake. Most useful object in the library!” I reply. This conversation happens once in nearly every book display…

“Run away”: a life in 78 words
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“Run away”: a life in 78 words

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Simon P. Newman

A guest post by Simon Newman His name was Quoshey , an Akan day name that tells us he was quite likely born on a Sunday on the Gold Coast of West Africa. But on Christmas Day 1700 Quashey was…

To bind: Ligatures in Aldine Type
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To bind: Ligatures in Aldine Type

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Abbie Weinberg

Yes, indeed. As many of you quickly identified, each of the images in this month’s mystery post contain at least one ligature. In fact, all of the images are from a single set of type: the Aldine italic that was…

“What manner o’thing is your crocodile?”: May 2019
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“What manner o’thing is your crocodile?”: May 2019

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The Collation

Welcome to another Crocodile Mystery! This month, we ask that you look at the images below and tell us what they have in common. (Yes, we know there are many possible answers to this. Yes, we are looking for one…

The Location of Plates in a Book
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The Location of Plates in a Book

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Caroline Duroselle-Melish

When consulting a book with plates (that is, inserted leaves printed separately from the text), it is best not to assume that they have been placed in the same location in all copies of the same edition nor that their…

One page, four inscriptions, three households
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One page, four inscriptions, three households

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Rebecca Laroche

A guest post by Rebecca Laroche I began transcribing Folger manuscript V.a.681 because I recognized from the dealer’s description the name of a family, the Shirleys, and its house, Staunton Harold; I had previously found another book owned by another…

British Book Illustrations
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British Book Illustrations

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Emily Wahl

Good news, picture-seekers! If you’ve ever tried to search Luna for a picture of something specific, you’ve probably noticed that relatively few digital images match one-to-one with their source descriptions. For example, although a keyword search for “dog” will bring…

The evolution of collection practices: a case study
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The evolution of collection practices: a case study

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Lauren Liebe

A guest post by Lauren Liebe There is nothing quite as exciting in archival research as stumbling upon an unexpected connection between two objects. When I called up L852 copy 3 and D2292, I had not realized that they shared…

Mapping Shakespeare's plays: an experiment
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Mapping Shakespeare's plays: an experiment

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Charles Webb

A guest post by Charles Webb Friends, Romans, Countrymen: lend me your eyes For the past eight months I have split my time between working at the Folger Shakespeare Library and at Dumbarton Oaks as a Dumbarton Oaks Humanities Fellow.…

Uncancelling the cancelled: recovering obliterated owners of old books
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Uncancelling the cancelled: recovering obliterated owners of old books

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Heather Wolfe

Last week’s Crocodile showed a detail of a cancelled name on the title page of Folger STC 17132. Title page of Folger STC 17132 with Humphrey Dyson’s name deleted. Despite the parallel hatching that was used to conceal it, two…

“What manner o’thing is your crocodile?”: April 2019
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“What manner o’thing is your crocodile?”: April 2019

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The Collation

Welcome to this month’s Crocodile Mystery. Today, we’re going to ask you to read between the lines, as it were: can you make out the the crossed-out name on this title page? Squint your eyes, tilt your head, and give…

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