Shakespeare & Beyond

“Murphy may be the first person in history to subject laughter to such intensive and extensive study, at least from the perspective of a laughter professional,” writes Joy Wiltenburg about the 18th-century writer’s 500-page compilation of humor, in this excerpt…

See some of the Folger collection items that Charles and Camilla examined when they visited the Folger in 2005, including an early modern book on plants that got the prince’s attention.

In the opening scene of Jennifer Falkner’s novella “Susanna Hall, Her Book,” the queen of England has just arrived at New Place in Stratford-upon-Avon. But Susanna, the eldest daughter of William Shakespeare, has reasons for not wanting to host Henrietta…

Helen Hackett explores Shakespeare’s use of the soliloquy in “Hamlet,” including the famous “To be or not to be” speech, in this excerpt from her new book, “The Elizabethan Mind: Searching for the Self in an Age of Uncertainty,” published…

Collecting extracts of text in commonplace books and binding multiple books together to create a sammelband were two notable practices of readers in the 16th and 17th centuries, as Jason Scott-Warren (University of Cambridge) explains in this excerpt from a…

“Nowhere does Shakespeare attend more to theatrical enterprise and potential than in A Midsummer Night’s Dream,” writes Michele Osherow, Folger Theatre’s resident dramaturg. “It makes the play irresistible to those who practice theatre and to those who crave its incomparable…

Take a closer look at some unusual chess sets in the Folger collection, spanning continents and centuries.

For each of these famous quotes from “A Midsummer Night’s Dream,” can you fill in the blank with the missing word?

Lolita Chakrabarti shares historical context about pioneering 19th-century Black actor Ira Aldridge, the subject of her play Red Velvet, including a notable detail about his funeral in Poland which she learned after she’d written the play.

Take our quiz to get matched with one of 20 books from the Folger Shakespeare Library’s virtual book club inspired by Shakespeare and the early modern era.

Director Sam Gold shares what he loves most about Macbeth, why it stands out from other Shakespeare tragedies he’s directed, and how his ideas about the play changed over time.

Hamlet sings! A new opera version of Shakespeare’s “Hamlet” is onstage now at the Metropolitan Opera, with tenor Allan Clayton resuming the title role that he played for the opera’s world premiere at the Glyndebourne Festival.