Shakespeare & Beyond

Lillian Groag writes about the challenges of translating one of Shakespeare’s more obscure plays, ‘Troilus and Cressida,’ for the Oregon Shakespeare Festival’s Play on! project.

In her new novel “The Shakespeare Requirement,” Julie Schumacher continues her satirical commentary on the humanities in academia.

This excerpt from a new book by Katherine West Scheil explores the 19th-century transformation of the Anne Hathaway Cottage into a tourist destination.

Take this quiz to see if you can identify lines from Shakespeare’s Macbeth or the Restoration-era version as adapted and amended by Sir William Davenant.

Jonathan Croall writes about Frances de la Tour’s 1979 performance as Hamlet, the first woman to do so on the English stage since Sarah Bernhardt.

Ellen McLaughlin writes about translating ‘Pericles’ for the Oregon Shakespeare Festival and what she learned about this less frequently produced play.

Lopez looks at which early modern plays were considered better than others (and why) and how the works selected to represent the era might change.

From her work translating ‘Macbeth’ for the Oregon Shakespeare Festival Play on! project, Migdalia Cruz shares reflections about ambitions, loyalty, the witches, and the porter scene.

Taffety Punk presents Henry VI Part 3 for its 2018 Bootleg Shakespeare performance, in which actors perform after only one day of rehearsal.

“Shakespeare must be singled out by one who wishes to learn the full powers of the English language,” Thomas Jefferson wrote.

The playwright and dramaturg who worked on translating ‘The Merchant of Venice’ share insights into the play and the translation process.

This excerpt from Ayanna Thompson’s book explores Peter Sellars’s “uniquely American take on William Shakespeare” and his 1980 production of King Lear.