Austin Tichenor
This thing of darkness: Caliban and the Creature from Frankenstein
As Mary Shelley’s novel “Frankenstein” marks its 200th anniversary (and with Halloween on its way), Austin Tichenor explores the parallels between the Creature from “Frankenstein” and Caliban from “The Tempest” and their fictional creators: Frankenstein and Prospero–as well as what…
Elizabethan theater etiquette and audience expectations today
Austin Tichenor writes about the theater-going experience in Shakespeare’s time and how that contrasts with audience expectations today.
Discovering Shakespeare’s Long Lost First Play
Austin Tichenor of the Reduced Shakespeare Company writes about the creation of William Shakespeare’s Long Lost First Play (abridged).
Shakespeare's patriotic empathy
Austin Tichenor writes about Shakespeare’s history plays, the political considerations of the day, and patriotic portrayals centuries later.
Questionable parenting: Shakespeare and the father portrayals in his plays
What kind of father was Shakespeare? The fathers he portrays in his plays don’t always come off looking so good, but he also explores parental regret.
Conquering Hero: What to do about 'Much Ado'?
Austin Tichenor explores the character complexities of Hero in Shakespeare’s ‘Much Ado About Nothing’ and how to address her reconciliation with Claudio.
Cruel to be kind: Irreverently celebrating Shakespeare's birthday
Austin Tichenor of the Reduced Shakespeare Company writes about how “impertinent” riffs on Shakespeare’s work do much to celebrate his legacy.
The production's the thing: Thoughts on Shakespeare's Romances
Austin Tichenor looks at different stage productions of “The Winter’s Tale” and “Pericles” in order to understand what makes Shakespeare’s Romances “work.”
Presidential Fools: Abraham Lincoln, Shakespeare, and comedy
Austin Tichenor writes about Abraham Lincoln, whose wit combined reflection with self-deprecation, and the role of a Fool in Shakespeare plays.
Shakespeare in a bar
There’s a newish trend in Shakespeare performance, which is to situate the play in a bar and have least one of the actors be drinking.
Playing Richard Burbage
Austin Tichenor of the Reduced Shakespeare Company shares what it’s like to play Richard Burbage onstage in Lauren Gunderson’s “The Book of Will.”
Making Shakespeare Pop
The tricks of this pop-up Shakespeare book, written by the Reduced Shakespeare Company and illustrated by Jennie Maizels, are a perfect way to express the theatricality of Shakespeare’s plays.