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Austin Tichenor

is the co-artistic director of the Reduced Shakespeare Company; a writing and acting coach at The Shakespeareance; the co-author of ten stage comedies, including William Shakespeare’s Long Lost First Play (abridged) and The Comedy of Hamlet! (a prequel); the co-creator of the illustrated children’s books Pop-Up Shakespeare and Daisy, the Littlest Zombie; a contributor to The Palgrave Encyclopedia of Global Shakespeare and Shakespearean Biofiction on the Contemporary Stage and Screen (from Arden Shakespeare); and the host of the world’s oldest and longest-running theater podcast, the Reduced Shakespeare Company Podcast.
The King, Prince Hal, and Falstaff: Shakespeare’s father-son triangle onstage and onscreen
Shakespeare and Beyond

The King, Prince Hal, and Falstaff: Shakespeare’s father-son triangle onstage and onscreen

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Austin Tichenor

Timothée Chalamet (Hal) in The King, 2019. IMDB One of Shakespeare’s most moving love triangles isn’t romantic, it’s filial. The tension between Prince Hal and his two father figures — King Henry IV and Sir John Falstaff — fuels both…

Shakespeare's muses: The magic in his method
Shakespeare and Beyond

Shakespeare's muses: The magic in his method

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Austin Tichenor

Shakspere / . 1832. Folger ART Box R167 no.1 (size L)It’s a tantalizing mystery: What was Shakespeare’s inspiration? What was the source of his talent? How on earth did he do what he did? Were his abilities and success the…

"The heavens speed thee in thine Enterprise!": Shakespeare in Star Trek
Patrick Stewart in Star Trek
Shakespeare and Beyond

"The heavens speed thee in thine Enterprise!": Shakespeare in Star Trek

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Austin Tichenor

Star Trek owes a striking thematic and linguistic debt to William Shakespeare, as in classic episodes like “The Conscience of the King” and “The Defector.”

Can you feel the Shakespeare love tonight?
The Lion King
Shakespeare and Beyond

Can you feel the Shakespeare love tonight?

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Austin Tichenor

In many ways Simba resembles Prince Hal more than Hamlet, in that he’s also a headstrong prince who disobeys his father but ultimately learns to accept responsibility and claim his throne.

Ben Elton’s 'Upstart Crow' and 'All Is True': Shakespeare in different keys
All Is True and Upstart Crow
Shakespeare and Beyond

Ben Elton’s 'Upstart Crow' and 'All Is True': Shakespeare in different keys

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Austin Tichenor

Kenneth Branagh in All Is True and David Mitchell in Upstart Crow. (IMDB) Ben Elton is no stranger to Shakespeare. The British author and actor played Verges alongside Michael Keaton’s Dogberry in Kenneth Branagh’s 1993 film Much Ado About Nothing.…

Love's Labor's Lost: The end of study
Love's Labor's Lost
Shakespeare and Beyond

Love's Labor's Lost: The end of study

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Austin Tichenor

“What’s especially delightful about Love’s Labor’s Lost is that it’s a comedy about melancholy, a satire on youthful arrogance, intellectual pretension, and romantic naiveté,” writes Austin Tichenor.

John Barrymore: A bridge to Shakespearean actors past
Photograph of John Barrymore as Hamlet
Shakespeare and Beyond

John Barrymore: A bridge to Shakespearean actors past

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Austin Tichenor

John Barrymore is sometimes passed over in the lists of great Shakespeare actors, but he was an important transitional figure in our understanding of the evolution of Shakespearean performance styles, writes Austin Tichenor.

Whither the Shakespeare purist?
Merchant of Venice
Shakespeare and Beyond

Whither the Shakespeare purist?

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Austin Tichenor

Austin Tichenor of the Reduced Shakespeare Company asks what it means to be a Shakespeare purist and attempts to interpret audience reactions.

Shakespeare book clubs: the pleasures and frustrations of diving into the plays with a group
Chicago Shakespeare Theater: The Taming of the Shrew
Shakespeare and Beyond

Shakespeare book clubs: the pleasures and frustrations of diving into the plays with a group

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Austin Tichenor

It’s not unusual to see theaters sponsoring monthly or semi-regular meetings devoted to reading and talking about Shakespeare’s plays.

In the Giving Vein: The Pop-Cultural Legacy of Olivier's Richard III
Shakespeare and Beyond

In the Giving Vein: The Pop-Cultural Legacy of Olivier's Richard III

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Austin Tichenor

With a US audience of tens of millions in its TV release at the same time it was released in American theaters, Laurence Olivier’s film “Richard III” (1955) has left a lasting, sometimes hilarious, legacy in pop culture, from Peter…

Thine Own Self
Aaron Krohn as Touchstone, in green with guitar, in As You Like It, Folger Theatre, 2017. Photo by Teresa Wood.
Shakespeare and Beyond

Thine Own Self

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Austin Tichenor

From the question “What are you?” (Countess Olivia) to “Tell my story” (Hamlet), Austin Tichenor looks at finding your identity and telling your story, through a decidedly Shakespearean lens.

Twelfth Night: The Hamlet of the comedies
William Oliver Watkins as Orsino and Caitlin McWethy as Viola in Cincinnati Shakespeare Company’s 2018 Twelfth Night, directed by Austin Tichenor. By Mikki Schaffner Photography.
Shakespeare and Beyond

Twelfth Night: The Hamlet of the comedies

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Austin Tichenor

Austin Tichenor suggests that “Twelfth Night” is the “Hamlet” of the comedies, dealing with loss, separation, and death and using some surprisingly similar elements — but in a far happier way.

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