Austin Tichenor
The King, Prince Hal, and Falstaff: Shakespeare’s father-son triangle onstage and onscreen
Timothée Chalamet (Hal) in The King, 2019. IMDB One of Shakespeare’s most moving love triangles isn’t romantic, it’s filial. The tension between Prince Hal and his two father figures — King Henry IV and Sir John Falstaff — fuels both…
Shakespeare's muses: The magic in his method
Shakspere / . 1832. Folger ART Box R167 no.1 (size L)It’s a tantalizing mystery: What was Shakespeare’s inspiration? What was the source of his talent? How on earth did he do what he did? Were his abilities and success the…
"The heavens speed thee in thine Enterprise!": Shakespeare in Star Trek
Star Trek owes a striking thematic and linguistic debt to William Shakespeare, as in classic episodes like “The Conscience of the King” and “The Defector.”
Can you feel the Shakespeare love tonight?
In many ways Simba resembles Prince Hal more than Hamlet, in that he’s also a headstrong prince who disobeys his father but ultimately learns to accept responsibility and claim his throne.
Ben Elton’s 'Upstart Crow' and 'All Is True': Shakespeare in different keys
Kenneth Branagh in All Is True and David Mitchell in Upstart Crow. (IMDB) Ben Elton is no stranger to Shakespeare. The British author and actor played Verges alongside Michael Keaton’s Dogberry in Kenneth Branagh’s 1993 film Much Ado About Nothing.…
Love's Labor's Lost: The end of study
“What’s especially delightful about Love’s Labor’s Lost is that it’s a comedy about melancholy, a satire on youthful arrogance, intellectual pretension, and romantic naiveté,” writes Austin Tichenor.
John Barrymore: A bridge to Shakespearean actors past
John Barrymore is sometimes passed over in the lists of great Shakespeare actors, but he was an important transitional figure in our understanding of the evolution of Shakespearean performance styles, writes Austin Tichenor.
Whither the Shakespeare purist?
Austin Tichenor of the Reduced Shakespeare Company asks what it means to be a Shakespeare purist and attempts to interpret audience reactions.
Shakespeare book clubs: the pleasures and frustrations of diving into the plays with a group
It’s not unusual to see theaters sponsoring monthly or semi-regular meetings devoted to reading and talking about Shakespeare’s plays.
In the Giving Vein: The Pop-Cultural Legacy of Olivier's Richard III
With a US audience of tens of millions in its TV release at the same time it was released in American theaters, Laurence Olivier’s film “Richard III” (1955) has left a lasting, sometimes hilarious, legacy in pop culture, from Peter…
Thine Own Self
From the question “What are you?” (Countess Olivia) to “Tell my story” (Hamlet), Austin Tichenor looks at finding your identity and telling your story, through a decidedly Shakespearean lens.
Twelfth Night: The Hamlet of the comedies
Austin Tichenor suggests that “Twelfth Night” is the “Hamlet” of the comedies, dealing with loss, separation, and death and using some surprisingly similar elements — but in a far happier way.