Austin Tichenor

Austin Tichenor writes about Christopher Moore’s trio of comic novels, which follow the fool from King Lear as he interacts with other Shakespeare characters.

Austin Tichenor explores the powerful theatricality of Shakespeare’s ghosts, among whom the most famous is probably Hamlet’s father.

Austin Tichenor explores how Barbie and Oppenheimer wrestle with Shakespearean themes of identity, hubris, and redemption.

Austin Tichenor reflects on the Shakespeare allusions and storytelling world in Gabrielle Zevin’s bestselling novel.

Dynastic power struggles, political intrigue, and forbidden love: Austin Tichenor looks at “Shakespearean” as a popular cultural shorthand.

Austin Tichenor finds that AI does not quite measure up to William Shakespeare when he asks ChatGPT and Bard to write a new play called “Cardenio.”

Marking the 400th anniversary of the First Folio, Austin Tichenor compares The Book of Will, Lauren Gunderson’s popular play about the Folio’s creation, with new research shared by Chris Laoutaris in Shakespeare’s Book.

Shakespeare’s play Richard III turns real people into fictional villains, as does a new movie about the search for Richard III’s remains, writes Austin Tichenor.

Austin Tichenor writes about the problematic protagonists of the Oscar-nominated films Elvis and Tár, who evoke Shakespeare’s Richard III as they seek to control their respective narratives.

Austin Tichenor writes a blog post about how, like many of Shakespeare’s plays, the HBO series The White Lotus explores power among the privileged and the people who attend them.