Austin Tichenor

Austin Tichenor explores how the shift of a narrative’s perspective can offer answers to questions about which characters deserve redemption and our forgiveness, from Lear to Iago to Richard III.

Austin Tichenor takes a look at Al Pacino’s new memoir, Sonny Boy. Pacino describes how central Shakespeare was to his development as a young actor.

With Halloween approaching, Austin Tichenor takes a look at Stephen King and a theme he shares with Shakespeare: the often tragic fate of younger characters.

Austin Tichenor dives deep into the Shakespearean character of the HBO Western Deadwood, which is celebrating its 20th anniversary this year.

Austin Tichenor explores how the films Sing Sing and Ghostlight show the power and healing of theater and Shakespeare, in both forceful and amusing ways.

Inspired by the Olympics, Austin Tichenor explores how Shakespeare uses sports in his plays, including as a way to show tensions between England and France.

Austin Tichenor on whether TikTok, like Shakespeare, is adding new words and phrases.

Austin Tichenor on how Shakespeare drew from the classics, history texts, folk tales, contemporary politics, and more.

Austin Tichenor writes about movies that feel like plays and theater that feels cinematic.

Austin Tichenor explores the deep connections the president and his murderer share with William Shakespeare.

Austin Tichenor argues for the importance of casting disabled actors as Richard III, spotlighting Chicago Shakespeare Theater’s production with Katy Sullivan in the title role.

Austin Tichenor grapples with the larger question of whether Iago deserves the sympathetic re-evaluation found in Iago: The Green Eyed Monster.