The Reading Room Festival 2026
Thursday, Jan 22 – Sunday, Jan 25, 2026
Folger Theatre’s fourth annual Reading Room Festival returns with a four-day festival of staged readings, panel discussions, workshops, and community celebrations.
Join artists, critics, scholars, and audience members in a celebration of creative community, as we collaboratively re-envision Shakespeare’s works, explore the vibrant musicality of Shakespeare’s verse, and reimagine the stories crafted by other early modern playwrights.
The best way to experience the festival is with an All-Access Pass, which guarantees you:
- Seats to all four staged readings and their accompanying post-show conversations
- Engaging panel discussions with Festival artists, critics, and scholars
- Priority access to register for low-capacity workshops, which sell out quickly!
- Access to all community celebrations where you can mix and mingle with Festival artists
All-Access Passes also include tickets to all the Festival’s special events, including: Festival opener Shakespeare as a Starting Point, exploring Shakespeare and American musical theater; a conversation with Folger Director Farah Karim-Cooper and Folger Theatre Artistic Director Karen Ann Daniels; a panel discussion with Diversifying the Classics; and a musical workshop around Folger Theatre’s upcoming production of As You Like It.
How to attend the festival
Individual events – $20
Tickets are now on sale.
Reading Room Festival All-Access Pass – $125
Access to all staged readings, panel discussions, workshops, and community celebrations included in the Festival. Buy now
Students – Free admission to readings and conversations
Admitted free one-half hour before event start time, with a valid ID.
About the festival
Over the past three years, the Reading Room Festival has introduced audiences to new plays that have gone on to full-scale Folger Theatre productions, including the world premiere of Lauren M. Gunderson’s A Room in the Castle, a critically acclaimed feminist retelling of Hamlet; Al Letson’s Julius X, which remixes Civil Rights history through the lens of Shakespeare’s tragedy; and, this spring, Broadway star Jacob Ming-Trent’s autobiographical How Shakespeare Saved My Life will be on stage at the Folger in a world premiere production.
The plays
Cymbeline: A Telenovela Melodramatic Western
Fuente Ovejuna
LEAR
Dark Lady: A Musical Theater Work
Meet the creators
Anthony De Angelis
Anthony De Angelis (Composer- Cymbeline) Folger Theatre: debut. Composer: Off-Broadway / Los Angeles / National Tour: SAW the Musical: The Unauthorized Parody of Saw; The Players Theatre/The PIT/ CAP 21/ 54 Below: An Axemas Story; Nazareth University: A Christmas Carol Part II; Wichita State University Musical Theater Incubator Program: The Fox Sisters; Utah Fringe Festival/ FUSE Productions (State College, PA): The Prince’s New Pet (TYA) – presented nationally, licensed by Dramatic Publishing. Arranger/Orchestrator: Randy Rainbow’s Christmas album; The New York Pops; The Cincinnati Pops; National Symphony Orchestra; The American Pops Orchestra (multiple PBS performances); Lyrics and Lyricists series at 92nd Street Y; Broadway Backwards 7 and 8; West End productions. Member of the BMI Workshop.
Alexa Babakhanian
Alexa Babakhanian (Playwright – Dark Lady) Folger Theatre: debut. With degrees from Juilliard (BM, MM), award-winning multi-hyphenate Alexa Babakhanian champions the unrepresented through her artistic output. Her work I Care Do You?” in collaboration with Malala was presented at the United Nations, while her song “A Million Me’s” was presented at the Women’s March on Washington. The Women of Don Quixote featured Alexa’s song cycle and her opera Lady Liberty premiered at Lincoln Center in 2020 while she was artist in residence.
Dark Lady was presented as a reading at the Illinois Shakespeare Festival. Dark Lady was presented as a one act at the Minnesota Fringe Festival with Lori Parquet (Suffs, As You Like It, The Public Theater) playing both Shakespeare and Amelia Bassano. Dark Lady was presented as a reading at the Lyric Theater at University of Illinois under the direction of Julie Gunn. Dark Lady was featured on NPR.
Alberto Bonilla
Alberto Bonilla (Playwright – Cymbeline) Folger Theatre: debut. Director: New York City (selected credits): King Lear, Merchant of Venice, Twelfth Night, Macbeth, Richard III, Three Sisters, North of Providence, Dia De los Muertos, Look Back in Anger, Walking to America, The Servant to Two Masters, North of Providence, Dolores, Adaptive Radiation, Hearts Like Fists. Playwright: PS.357, Walking to America, Nonnie, Hunting for Ewoks. Film/Television: Director: Tabla Rosa (2026), Nerd Wars, Speed of Love, Shakespeare Hashish and Ish; Writer: Bounty, Hunger, Nerd Wars, Speed of Love. Musical Theatre faculty member at Molloy University/CAP21; teaching: Stella Adler Studios, Maggie Flanigan Studio. albertobonilla.com albertobonilla-director-writer.com
Barbara Fuchs
Barbara Fuchs (Playwright – Fuente Ovejuna) Folger Theatre: debut. Distinguished Professor of Spanish and English: UCLA. Founder and Director: Diversifying the Classics. Founder and Director: LA Escena Festival of Hispanic Classical Theater. Playwright: Fuente Ovejuna, a children’s version of Lope de Vega’s classic play. Author: Fuente Ovejuna, a picture-book adaptation of Lope de Vega’s classic play. Co-editor, with Aina Soley and Robin Kello: Golden Tongues: Adapting Hispanic Classical Theater in Los Angeles (Bloomsbury, 2024). Co-translator, with the Diversifying the Classic collective: Ana Caro: The Courage to Right a Woman’s Wrongs; Sor Juana Inés de la Cruz: Love is the Greater Labyrinth; Lope de Vega: The Travels of Teodor, The Beast of Hungary, The Widow of Valencia, A Wild Night in Toledo; Guillén de Castro: Don Quixote, The Force of Habit; Calderón: To Love Beyond Death; Alarcón: What We Owe Our Lies, The Pretender.
Marcus Gardley
Marcus Gardley (Playwright – LEAR)Folger Theatre: debut. Marcus Gardley is an acclaimed TV writer, playwright, and screenwriter who wrote the screenplay for the reimagining of The Color Purple (2023), which won 11 NAACP Awards and the most nominations and wins in history. He won the 2022 WGA award for Best Adapted TV Longform Series for Maid (Netflix). He is the recipient of the 2019 Doris Duke Artist Award. He is a 2019 Obie Award winner for his play The House That Will Not Stand, the 2015 Glickman Award winner, and a finalist for the 2016 and 2015 Kennedy Prize. Other plays include X: Or, Betty Shabazz v. The Nation, black odyssey (2023 Drama Desk nomination), The Gospel of Lovingkindness, every tongue confess, …and Jesus Moonwalks the Mississippi, and the road weeps, the well runs dry.
Nadia Guevara
Nadia Guevara (Director – Cymbeline) Folger Theatre: DC, I Love You. 1st Stage: Young Americans; Keegan Theatre: N; Imagination Stage: Cinderella: A Salsa Fairy Tale; American University: Fefu and Her Friends, Spring Awakening. Off-Broadway: Keen Company: Cell; Atlantic Theater Company: Caribbean MixFest; Latinx Playwrights Theatre / The New Group: The Invisible Hand of God Touched Me in a Bad Place; The Public Theatre: Apple Bottom; National Queer Theatre: The Survival, Criminal Queerness Festival; Red Bull Theatre: The Beast of Hungary, Short New Play Fest. Regional: University of Rochester: Rosencrantz and Guildenstern Are Dead; Texas Tech University: Water by the Spoonful; Dallas Theater Center; McCarter Theatre; New York Stage & Film. Awards: 2018 San Diego Critics Circle Actor of the Year; Drama League Stage Directing Fellowship. SDC Member. nadiaguevara.com
Rebecca Martinez
Rebecca Martínez (Director – Dark Lady) Folger Theatre: debut. Regional: Baltimore Center Stage: Miss You Like Hell; Geva Theatre: Sancocho, In Her Bones; Two River Theater: Living and Breathing; Colorado Springs Fine Arts Center: Anna in the Tropics (Henry Award for Directing); Syracuse Stage/ Geva Theatre: Somewhere Over the Border; Repertory Theatre of St. Louis: Mojada: A Medea in Los Angeles. Off-Broadway: Mobile Unit, The Public Theater: Much Ado About Nothing, The Comedy of Errors (LATA Award winner; Drama Desk nomination) WP Theater/ Spark Theatrical: Dirty Laundry; WP Theater/ Colt Coeur: Bite Me; WP Theater/ Latinx Playwrights Circle/ Sol Project: Sancocho; Radical Evolution/ Working Theater: Songs About Trains. Artist-in-Residence at Radical Evolution; SEED Directing Commission at Public Theater. https://www.rebeccamartinez.org/
Kelsey Mesa
Kelsey Mesa (Director – Fuente Ovejuna) Folger Theatre: The Cuban Vote (Reading Room Festival); Taffety Punk Theatre Company: Othello, Antigonick, She Rode Horses Like the Stock Exchange, The Trojan Women, Charm. The Hub Theatre Company: The Pavilion, The Magi, Wish List; Catholic University: Crimes of the Heart; University of Maryland, College Park: Fefu and Her Friends. Awards: 2024 Helen Hayes Outstanding Production of a Play: La Salpêtrière (playwright). The Inkwell: Artistic Associate. John F. Kennedy Center for the Performing Arts: Manager of Kennedy Center American College Theater Festival and Resident Director of the Kennedy Center Directing Intensive.
Hana S. Sharif
Hana S. Sharif (Director – LEAR) Folger Theatre: debut; Arena Stage: The Motion (*upcoming*), The Age of Innocence, Death on the Nile. Regional: Murder on the Orient Express (7 STLCC nominations), A Christmas Carol (4 STLCC nominations, STL A-List Award), Pride and Prejudice (5 STLCC nominations), Porgy and Bess, The Who & The What (3 SFBA Critic Circle nominations), Fun Home, Sense and Sensibility, The Christians, Les Liaisons Dangereuses, Pride and Prejudice (DCArts: Best Director/Best New Play), The Whipping Man, Gem of the Ocean (six CCC nominations), Gee’s Bend (CCC Award Best Ensemble, two nominations), Next Stop Africa, Cassie, The Drum, IFdentity, Pretty Fire, Patient 463, I, Marcus Garvey, Quicksand, Hospice, and The Blacker The Berry. Her plays include All the Women I Used to Be, The Rise and Fall of Day, and The Sprott Cycle Trilogy (1880, 1964, 2010).
Alec H. Wild
Alec H. Wild (Adaptor – Cymbeline) Folger Theatre: debut. Director: Shakespeare Theatre Company Academy: East of the Sun, West of the Moon; The Odyssey; Cymbeline; Romeo and Juliet; Tales from Ovid; Hamlet (Radio); Pericles; The Maid’s Tragedy; Great River Shakespeare Festival (Founding Artistic Director): A Midsummer Night’s Dream, Othello, The Tempest, The Taming of the Shrew, Richard III, Twelfth Night, Henry V, The Winter’s Tale; Milwaukee Shakespeare: Richard II, Titus Andronicus; Shakespeare Festival of St. Louis: Good in Everything, Old Hearts Fresh; New Jewish Theatre: Value of Names; Folio Theatre Company (Founding Artistic Director): Hamlet, Henry IV, Part One, Othello, Romeo and Juliet, Rosencrantz and Guildenstern Are Dead; Illinois Shakespeare Festival: Henry V. Film: Whisper (Writer/Director, Best Film, 48Hour Film Festival), Arcadea (Writer/Director, Best Film, I48 Film Festival). MFA, Yale School of Drama.
Festival schedule
This year’s lineup leans heavily into the musicality of Shakespeare and includes new works from Alexa Babakhanian, Alberto Bonilla, Barbara Fuchs, and Marcus Gardley, with Arena Stage’s Artistic Director Hana S. Sharif directing one staged reading.
Day 1: Thursday, January 22
Shakespeare as a Starting Point: Shakespeare and the American Musical
Day 2: Friday, January 23
Making Myths: the Legacies of William Shakespeare, Queen Elizabeth, and American Actors
Cymbeline: A Telenovela Melodramatic Western
Day 3: Saturday, January 24
Fuente Ovejuna Hands-On Craft
Fuente Ovejuna
Diversifying the Classics
LEAR
Lear’s Libations: Reception (10:30pm)
Following the performance of LEAR, All-Access Pass holders and festival artists gather for food, drinks, and music.
Day 4: Sunday, January 25
Community Workshop: Seven Ages of Music
The Two Shakespeares: Myth and Mortal
Dark Lady: A Musical Theater Work
Exit, Pursued by a Beer (5pm)
The artists and guests say a final farewell to the festival with a traditional toast on the stage.
Folger Theatre Sponsors
With special thanks to
Share Fund
Premiere Season Sponsors
Dr. Bill and Evelyn Braithwaite
Season Sponsors
Andrea “Andi” Kasarsky
Helen and David Kenney
Scott and Liz Vance
Production Sponsors
Nancy and Steve Howard
Contributing Sponsors
Celia and Keith Arnaud
Artist Sponsors
Karl K. and Carrol Benner Kindel
Open-captioned Performance Sponsors
Vinton and Sigrid Cerf
All events
Shakespeare as a Starting Point: Shakespeare and the American Musical
Making Myths: the Legacies of William Shakespeare, Queen Elizabeth, and American Actors
Cymbeline: A Telenovela Melodramatic Western
Fuente Ovejuna Hands-On Craft
Fuente Ovejuna
Diversifying the Classics
LEAR
Community Workshop: Seven Ages of Music
The Two Shakespeares: Myth and Mortal