The Reading Room Festival 2026
Thursday, Jan 22 – Sunday, Jan 25, 2026
Folger Theatre’s fourth annual Reading Room Festival returns with a four-day festival of staged readings, panel discussions, workshops, and community celebrations.
Join artists, critics, scholars, and audience members in a celebration of creative community, as we collaboratively re-envision Shakespeare’s works, explore the vibrant musicality of Shakespeare’s verse, and reimagine the stories crafted by other early modern playwrights.
The best way to experience the festival is with an all-access pass, which guarantees you premiere access to all staged readings, panel discussions, workshops, and community celebrations.
The plays
Cymbeline: A Telenovela Melodramatic Western
Original Concept and Idea by Alberto Bonilla
Music composed by Anthony De Angelis
Adaptation of Shakespeare’s text of Cymbeline by Alec H. Wild
Spanish adaptation of text by Alberto Bonilla
Original Spanish translation of Cymbeline by D. Eudaldo Viver (1884)
Directed by Nadia Guevara
Alberto Bonilla shifts the setting of Shakespeare’s Cymbeline from a mythic Roman-occupied ancient Britain to the American Southwest, circa 1893, at the height of the American cowboy myth, a powder-keg of conflict between class and race: farmers against ranchers, frontier pioneers from the East vs. the Mexican and Indigenous populations. The wounds of the American Civil War are still fresh, and the country is trying to unite with the expansion of the railroad connecting East and West. Focusing on the core family conflicts in Shakespeare’s late romance, this bilingual adaptation features high-stakes drama, gritty fights, and intimate moments—all the twists and turns associated with both Latin American melodramas and Shakespearean tragicomedies.
Dark Lady: A Musical Theater Work
Book, Lyrics, and Music by Alexa Babakhanian
Directed by Rebecca Martínez
What would happen if it were discovered that Amelia Bassano, a Venetian Jew and the first woman poet published in England, was the real author of Shakespeare’s plays? And what if this literary secret was revealed by Elizabethan characters existing in a modern-day alternate reality? Discover the Dark Lady, Shakespeare’s muse in his Sonnets, who has been hiding in plain sight for over 400 years. Alexa Babakhanian’s humorous, whimsical musical creates a dynamic score of beatboxing, hip hop, classical, and pop music to highlight the interplay between these two great dramatists and poets.
Fuente Ovejuna
By Lope de Vega
Adapted by Barbara Fuchs
Directed by Kelsey Mesa
World Premiere
In the little town of Fuente Ovejuna life rolls merrily along, with sheep to tend and weddings to plan. But when the Comendador, the town’s governor, decides that everything belongs to him, life is turned upside down. What to do? How to resist? This family-friendly adaptation of Lope de Vega’s Spanish Golden Age classic Fuente Ovejuna invites young audiences to imagine what solidarity looks like, with interactive elements such as audience participation, songs, and crafts to engage children while emphasizing themes of justice, unity, and resistance to tyranny.
LEAR
Translation/adaptation/remix by Marcus Gardley
Directed by Hana S. Sharif
Original text by William Shakespeare
Commissioned by the Oregon Shakespeare Festival’s “Play On!”
Set in San Francisco’s Fillmore District during the 1960s, LEAR reimagines Shakespeare’s tragedy of loyalty, love, and madness as a modern parable about the erasure of a Black neighborhood. Once a thriving center of Black art, music, and culture, the Fillmore becomes the site for a King Lear adaptation about an aging real estate mogul, his three daughters, and the threat of urban renewal. This modern-verse translation by Obie Award–winning playwright Marcus Gardley offers a poetic reckoning with history, progress, and patriarchy.
Meet the creators
Anthony De Angelis
Anthony De Angelis (Composer- Cymbeline) Folger Theatre: debut. Composer: Off-Broadway / Los Angeles / National Tour: SAW the Musical: The Unauthorized Parody of Saw; The Players Theatre/The PIT/ CAP 21/ 54 Below: An Axemas Story; Nazareth University: A Christmas Carol Part II; Wichita State University Musical Theater Incubator Program: The Fox Sisters; Utah Fringe Festival/ FUSE Productions (State College, PA): The Prince’s New Pet (TYA) – presented nationally, licensed by Dramatic Publishing. Arranger/Orchestrator: Randy Rainbow’s Christmas album; The New York Pops; The Cincinnati Pops; National Symphony Orchestra; The American Pops Orchestra (multiple PBS performances); Lyrics and Lyricists series at 92nd Street Y; Broadway Backwards 7 and 8; West End productions. Member of the BMI Workshop.
Alexa Babakhanian
Alexa Babakhanian (Playwright – Dark Lady) Folger Theatre: debut. Director: New York City (select credits): King Lear, The Merchant of Venice, Twelfth Night, Macbeth, Richard III, Three Sisters, North of Providence, Dia De los Muertos, Look Back in Anger, Walking to America, The Servant toTwo Masters, North of Providence, Dolores, Adaptive Radiation, Hearts Like Fists. Playwright: PS.357, Walking to America, Nonnie, Hunting for Ewoks. Film/Television: Director: Tabla Rosa (2026), Nerd Wars, Speed of Love, Shakespeare Hashish and Ish; Writer: Bounty, Hunger, Nerd Wars, Speed of Love. albertobonilla.com albertobonilla-director-writer.com
Alberto Bonilla
Alberto Bonilla (Playwright – Cymbeline) Folger Theatre: debut. Director: New York City (selected credits): King Lear, Merchant of Venice, Twelfth Night, Macbeth, Richard III, Three Sisters, North of Providence, Dia De los Muertos, Look Back in Anger, Walking to America, The Servant to Two Masters, North of Providence, Dolores, Adaptive Radiation, Hearts Like Fists. Playwright: PS.357, Walking to America, Nonnie, Hunting for Ewoks. Film/Television: Director: Tabla Rosa (2026), Nerd Wars, Speed of Love, Shakespeare Hashish and Ish; Writer: Bounty, Hunger, Nerd Wars, Speed of Love. albertobonilla.com albertobonilla-director-writer.com
Barbara Fuchs
Barbara Fuchs (Playwright – Fuente Ovejuna) Folger Theatre: debut. Distinguished Professor of Spanish and English: UCLA. Founder and Director: Diversifying the Classics. Founder and Director: LA Escena Festival of Hispanic Classical Theater. Playwright: Fuente Ovejuna, a children’s version of Lope de Vega’s classic play. Author: Fuente Ovejuna, a picture-book adaptation of Lope de Vega’s classic play. Co-editor, with Aina Soley and Robin Kello: Golden Tongues: Adapting Hispanic Classical Theater in Los Angeles (Bloomsbury, 2024). Co-translator, with the Diversifying the Classic collective: Ana Caro: The Courage to Right a Woman’s Wrongs; Sor Juana Inés de la Cruz: Love is the Greater Labyrinth; Lope de Vega: The Travels of Teodor, The Beast of Hungary, The Widow of Valencia, A Wild Night in Toledo; Guillén de Castro: Don Quixote, The Force of Habit; Calderón: To Love Beyond Death; Alarcón: What We Owe Our Lies, The Pretender.
Marcus Gardley
Marcus Gardley (Playwright – LEAR)Folger Theatre: debut. Marcus Gardley is an acclaimed TV writer, playwright, and screenwriter who wrote the screenplay for the reimagining of The Color Purple (2023), which won 11 NAACP Awards and the most nominations and wins in history. He won the 2022 WGA award for Best Adapted TV Longform Series for Maid (Netflix). He is the recipient of the 2019 Doris Duke Artist Award. He is a 2019 Obie Award winner for his play The House That Will Not Stand, the 2015 Glickman Award winner, and a finalist for the 2016 and 2015 Kennedy Prize. Other plays include X: Or, Betty Shabazz v. The Nation, black odyssey (2023 Drama Desk nomination), The Gospel of Lovingkindness, every tongue confess, …and Jesus Moonwalks the Mississippi, and the road weeps, the well runs dry.
Nadia Guevara
Nadia Guevara (Director – Cymbeline) Folger Theatre: DC, I Love You. 1st Stage: Young Americans; Keegan Theatre: N; Imagination Stage: Cinderella: A Salsa Fairy Tale; American University: Fefu and Her Friends, Spring Awakening. Off-Broadway: Keen Company: Cell; Atlantic Theater Company: Caribbean MixFest; Latinx Playwrights Theatre / The New Group: The Invisible Hand of God Touched Me in a Bad Place; The Public Theatre: Apple Bottom; National Queer Theatre: The Survival, Criminal Queerness Festival; Red Bull Theatre: The Beast of Hungary, Short New Play Fest. Regional: University of Rochester: Rosencrantz and Guildenstern Are Dead; Texas Tech University: Water by the Spoonful; Dallas Theater Center; McCarter Theatre; New York Stage & Film. Awards: 2018 San Diego Critics Circle Actor of the Year; Drama League Stage Directing Fellowship. SDC Member. nadiaguevara.com
Rebecca Martinez
Rebecca Martínez (Director – Dark Lady) Folger Theatre: debut. Regional: Baltimore Center Stage: Miss You Like Hell; Geva Theatre: Sancocho, In Her Bones; Two River Theater: Living and Breathing; Colorado Springs Fine Arts Center: Anna in the Tropics (Henry Award for Directing); Syracuse Stage/ Geva Theatre: Somewhere Over the Border; Repertory Theatre of St. Louis: Mojada: A Medea in Los Angeles. Off-Broadway: Mobile Unit, The Public Theater: Much Ado About Nothing, The Comedy of Errors (LATA Award winner; Drama Desk nomination) WP Theater/ Spark Theatrical: Dirty Laundry; WP Theater/ Colt Coeur: Bite Me; WP Theater/ Latinx Playwrights Circle/ Sol Project: Sancocho; Radical Evolution/ Working Theater: Songs About Trains. Artist-in-Residence at Radical Evolution; SEED Directing Commission at Public Theater. https://www.rebeccamartinez.org/
Kelsey Mesa
Kelsey Mesa (Director – Fuente Ovejuna) Folger Theatre: The Cuban Vote (Reading Room Festival); Taffety Punk Theatre Company: Othello, Antigonick, She Rode Horses Like the Stock Exchange, The Trojan Women, Charm. The Hub Theatre Company: The Pavilion, The Magi, Wish List; Catholic University: Crimes of the Heart; University of Maryland, College Park: Fefu and Her Friends. Awards: 2024 Helen Hayes Outstanding Production of a Play: La Salpêtrière (playwright). The Inkwell: Artistic Associate. John F. Kennedy Center for the Performing Arts: Manager of Kennedy Center American College Theater Festival and Resident Director of the Kennedy Center Directing Intensive.
Hana S. Sharif
Hana S. Sharif (Director – LEAR) Folger Theatre: debut; Arena Stage: The Motion (*upcoming*), The Age of Innocence, Death on the Nile. Regional: Murder on the Orient Express (7 STLCC nominations), A Christmas Carol (4 STLCC nominations, STL A-List Award), Pride and Prejudice (5 STLCC nominations), Porgy and Bess, The Who & The What (3 SFBA Critic Circle nominations), Fun Home, Sense and Sensibility, The Christians, Les Liaisons Dangereuses, Pride and Prejudice (DCArts: Best Director/Best New Play), The Whipping Man, Gem of the Ocean (six CCC nominations), Gee’s Bend (CCC Award Best Ensemble, two nominations), Next Stop Africa, Cassie, The Drum, IFdentity, Pretty Fire, Patient 463, I, Marcus Garvey, Quicksand, Hospice, and The Blacker The Berry. Her plays include All the Women I Used to Be, The Rise and Fall of Day, and The Sprott Cycle Trilogy (1880, 1964, 2010).
Alec H. Wild
Alec H. Wild (Adaptor – Cymbeline) Folger Theatre: debut. Director: Shakespeare Theatre Company Academy: East of the Sun, West of the Moon; The Odyssey; Cymbeline; Romeo and Juliet; Tales from Ovid; Hamlet (Radio); Pericles; The Maid’s Tragedy; Great River Shakespeare Festival (Founding Artistic Director): A Midsummer Night’s Dream, Othello, The Tempest, The Taming of the Shrew, Richard III, Twelfth Night, Henry V, The Winter’s Tale; Milwaukee Shakespeare: Richard II, Titus Andronicus; Shakespeare Festival of St. Louis: Good in Everything, Old Hearts Fresh; New Jewish Theatre: Value of Names; Folio Theatre Company (Founding Artistic Director): Hamlet, Henry IV, Part One, Othello, Romeo and Juliet, Rosencrantz and Guildenstern Are Dead; Illinois Shakespeare Festival: Henry V. Film: Whisper (Writer/Director, Best Film, 48Hour Film Festival), Arcadea (Writer/Director, Best Film, I48 Film Festival). MFA, Yale School of Drama.
Past festivals
Over the past three years, the Reading Room Festival has introduced audiences to new plays that have gone on to full-scale Folger Theatre productions, including the world premiere of Lauren M. Gunderson’s A Room in the Castle, a critically acclaimed feminist retelling of Hamlet; Al Letson’s Julius X, which remixes Civil Rights history through the lens of Shakespeare’s tragedy; and, this spring, Broadway star Jacob Ming-Trent’s autobiographical How Shakespeare Saved My Life will be on stage at the Folger in a world premiere production.